Luzern Theater – Kát’a Kabanová
“…Wright Moore, the Kudrjasch, was vocally especially outstanding…”
– Neue Zürich Zeitung
“…Wright Moore, a sympathetic and uncomplicated Kudrjasch…”
– Der Bund
Luzern Theater – Don Giovanni
“ (As Ottavio)…experience the splendid tenor of Wright Moore…”
– Basler Zeitung
Luzern Symphony – Puccini’s Messa di Gloria
“The roles of the soloists (Puccini’s Messa di Gloria) were somewhat peripheral but well executed….”
– Luzerner Zeitung
Luzern Theater – The Merry Widow
“Wright Moore as Rosillon gives a beautiful performance…”
– Luzern Tages Anzeiger
“Wright Moore (as Camille) sings the role with tenorial sweetness and baritonal warmth…”
– Die Südostschweiz, Luzern
Vienna Kammeroper – The Rake’s Progress
“Wright Moore as Tom finds the Stravinsky tone exactly…”
– Neue Kronen Zeitung, Vienna
“…Wright Moore as Tom leaves us an agreeable tenor…”
– Die Presse, Vienna
Wiener Kammeroper – Susannah
“…Wright Moore, as the wild brother Sam, is attractive tenor-material…” (sic)
-Kultur Zeitung, Vienna
Opera New England – Il Barbiere di Siviglia
“…Wright Moore, as Almaviva, was a good match for Kelly, with his dashing good looks, attractive lyric tenor, and eagerness to please.”
-The Boston Herald
Oper d’Rhin – Daphne
“…Wright Moore was a perfect vocal embodiment of the tragic lover Leukiippos…”
– Kehler Zeitung, Strasbourg
National Opera Company – Gianni Schicchi
“Lynn Eustas and Wright Moore as the two lovers (Lauretta and Rinuccio) sang beautifully with tender tone.”
-The Herald-Sun, Durham, NC
“As Schicchi’s would-be son-in-law Rinuccio, Wright Moore was the image of gilded youth. One did not expect from such a young throat such a rounded light tenor sound, or such ease with the sustained phrases and high notes in his big ode to Florence’s great men.”
-The News and Observer, Raleigh, NC
Opera Theatre of St. Louis – Ariadne auf Naxos
“Moore, the Brighella, showed how a light tenor unpushed but word-focussed can tell.”
-Andrew Porter, The New Yorker